By Gary Willis
Able to take your enjoying to the subsequent point? popular bassist Gary Willis provides beneficial how-to perception that bassists of all kinds and degrees can reap the benefits of. The textual content, images, song, diagrams and accompanying 64-track CD supply a good, easy-to-use source for various themes, together with: options, improvising and soloing, apparatus, working towards, ear education, functionality, thought, and masses extra.
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Additional info for 101 Bass Tips: Stuff All the Pros Know and Use
On a fretted bass, it's a common technique in lower registers to pull on the string of a note in the left hand to get a subtle vibrato or pitch movement out of a note. This is a definite no-no on a fretless. You'll be grinding a metal string sideways across an epoxy-coated or possibly bare wooden fingerboard. Eventually the metal will grind away some epoxy or wood, and the useful lifespan of your fingerboard will be compromised. You can get the same kind of pitch movement by moving your finger parallel to the string, and it causes little if no wear on the fingerboard.
N- ~~ 54 --:e. v 'h. ---- • ... 6 ~ ....... ~ ... --. ,__ Cm7 A" a: ~ Fm7 0 y •• ·- ~" .. n IV C m7 • • ~ .... _h----a:- b•. - ~ ,. _n_ - .. IV ~-r h: ~ = - -e- - .. " IV IV By playing and leaving space, your ear is given time to imagine and react. The more you practice this way, with the ear in mind, the more you can close the gap between the solos that happen when you sing or whistle and the ones you can actually perform. Here's a few examples of some two-, three-, and four-note ideas to work with on this exercise.
Try both sides of the pitch, sharper and flatter, in order to gain the most control with your fingers. Start out with just single notes. Play the D, G, C, and F, and pivot regardless of whether you nail the pitch or not. The first four bars are an example of what it sounds like. Notice that I intentionally pivot the note even though it might start out in tune. The rest of the example is for you to practice with . • Later on, try playing octaves and 5ths to get a handle on the pivot with the little finger.
101 Bass Tips: Stuff All the Pros Know and Use by Gary Willis